The little digital camera I use now does most of what a heavy bag of Nikormat equipment used to do...when I took a photo class back in the early 80's.
Back then, I had to deal with F-stop, this and that. The new camera does a better job with "auto" point and click. I rarely use the other settings, to the point that I sometimes find that I have forgotten how. Most of my "Pima College" class was practicing and film development. I used to enjoy playing with B/W development, burning images, etc. I had a friend with a lab and we would go in together for supplies and play in it. So when I started out with the Nikormat camera in 1976, I did settings and tried each to see what it did, meticulously writing down each pic and setting. That's how I learned, just like the homework for the class.
Going through my books for storage just yesterday, I found and disposed of some old books and photo mags from way back. I kept a couple. One, I hope to sell with that huge bag of Nikormat equipment.
DF and I love to play with the photography. It is quite a creative process to capture and present my own perception of what I see. It is very interesting to figure out ways and experiment with ways to make DF look "good", look real, make illusion, look like as I see her, and what I appreciate. For the website, it isn't so important that she is seen accurately, because she is supposed to be just a model, an illustration. I would think that it could be hard to recognize her from very many of the photos. She ends up looking like thirty in some pics.
I do a lot of crimping and some adjustments to light and color with a computer program, too. For example, the light frequently isn't best, but I can draw out, more or less with the computer. I have figured out how to soften the pic like a diffusion filter might be used. It is always interesting to make the most of a pic. These digital toys are great as there can be one thousand "mis-takes" to sort through, so I get more spontaneous natural looking people instead of the posing, which gets to be work too quick and often frustrating. Some that I think bad, turn out best, some best turn out not so. Frame it, hold it steady and capture a moment. I take it as a challenge to get the shot that I'm going for,
but then get surprised
Books give a great idea here and there, but practice, the fun thing, teaches me best. There is a thick book, with DF's camera. I know that she hasn't been through it, and experimented very thoroughly...yet. Her photos from her camera can be the majority in a trip report at my site. The camera is good and she is a bit of a natural and has a good eye for things that I don't always notice. It is a compliment having two contributing from different perspectives and two different cameras.
Flora is the biggest challenge. If I'm not quick, the wind notices that I'm after a pic and will begin to blow it around and blur my shot. It always seems to know, Murphy's Law. Anybody else notice that?
As one amateur to another... Cripe, I just realized that I've been practicing for over 40 years and still happy just having creative fun.
Jbee